-
Demi Vollering wins Tour de France Femmes
-
Sinner withdraws from Cincinnati Open with knee injury
-
Iraola's first Anfield match as Liverpool manager ends in Monaco defeat
-
Fernandez's 'perfect' race earns him British MotoGP Grand Prix win
-
Bodies hanging from bridge revive violence in once-calm town in Mexico
-
Iran Guards say won't reopen Hormuz without US meeting Tehran's demands
-
Lionel Messi bids farewell to father who guided his glittering career
-
Hogh's hat-trick inspires Celtic to 5-1 victory over Kilmarnock
-
Raul Fernandez wins British MotoGP Grand Prix
-
London grants first licences for supervised Uber robotaxis
-
Tesla FSD secrecy puts Europe’s safety oversight under scrutiny
-
Erasmus hopeful Kolisi hamstring injury not 'too bad'
-
Mercedes-AMG GT 53 balances speed, range and daily usability
-
Luxury car buyers trade prestige for mainstream value
-
Lion queen Werro focused on Euro medal, not 800m world record
-
Students, teachers mourn girl killed in Thailand school shooting
-
Changan uses FILDA 2026 to accelerate its African expansion
-
Jacobson to lead New Zealand for first time against Sharks
-
Honda plots a profitable European comeback without a price war
-
Typhoon Dolphin makes landfall in China after flight cancellations, evacuations
-
Iran Guards say won't reopen Hormuz without US meeting all Tehran's conditions
-
South Korea FA apologises after sex scandal adds to controversies
-
Messi absent after father's death as Miami lose in Leagues Cup
-
Indonesia closes national park as wildfire spreads
-
Flight cancellations, evacuations in China as Typhoon Dolphin looms
-
ZXMoto leads China's charge to dominate the global motorbike market
-
Iran issues demands for reopening of Hormuz
-
Top-ranked Sabalenka, Pegula stunned in Toronto fourth round
-
Afghanistan's gold rush upends lives and landscapes
-
Japan nuclear debate unnerves proponents of pacifism
-
Messi missing after father's death as Miami lose in Leagues Cup
-
Spanish teen Jodar ousts eighth seed Lehecka at Montreal
-
World number one Sabalenka ousted in Toronto by Alexandrova
-
Angers mounts in US over vast network of car license plate cams
-
Olympic weightlifter hoists debris for Venezuela earthquake recovery
-
Darderi to face Nakashima in Montreal quarter-finals
-
FIFA condemns 'concerted and ongoing effort' to weaken Infantino
-
Espresso power fires Darderi past Borges in Montreal
-
South Africa win after surviving late Argentina surge
-
Shnaider upsets Pegula to book Toronto quarter-final with Swiatek
-
Man Utd boss Carrick being 'careful' with Mount as Man Utd draw with PSG
-
Mount injury overshadows Man Utd draw with Paris Saint-Germain
UK artist turns 'money for old rope' into £1m art exhibition
British artist David Shrigley has piled tonnes of discarded rope into a London gallery and put a £1 million price tag on it, in a playful take on the phrase "money for old rope".
The Turner Prize-nominated artist's work, which opens on Friday at the Stephen Friedman Gallery in central London, consists of four huge piles of old rope.
Together they weigh in at around 10 tonnes and had to be transported on 60 pallets after months of collecting.
The project, which attracted giggles from passersby peeking through the Mayfair gallery's large windows when AFP visited on Thursday, above all seeks to be fun.
"I decided to act upon the British aphorism, which is 'money for old rope', which basically means that you're being remunerated for goods or a service that has in itself no value," Shrigley said.
"I was interested to figure out what would happen if you make a literal representation of that saying."
Over around seven months, Shrigley and his team gathered discarded pieces of ropes from fishermen, climbing centres and docks across Britain before being cleaned at his studio in Brighton, southeast England.
"It turns out that people are quite willing to give you old rope for nothing because it's not recyclable," he said.
Installation at the gallery was simple.
"I didn't really have a plan, I just kind of piled it up," he said.
"I didn't make any aesthetic decision, really, as to how it was presented. (It) is just four big piles that are roughly the same size."
The price tag, he admits, is a little "high" and part of the joke. But he says there is a justification.
"By weight, it's actually very good value," he said, referring to the sometimes exorbitant price tags for modern art.
"You're not going to get an awful lot of art for a million pounds, but 10 tonnes, I think, represents quite good value for money."
Shrigley says there's no single meaning for this piece. Art is not a puzzle to solve with a single answer, he said. It should be a trigger for discussion, for ideas.
"I'm basically presenting something as art, that has no value, or that has a kind of redundant redundancy about it," he said. "It's no longer any use. So perhaps there's a bit of pathos there."
He said he understands why cynics will dismiss his work but he said in some ways it is designed with them in mind.
"Sure, there's an element of it being a joke, but it's not. You know, the joke is very open ended," he said. "It's a proposition to have a discussion about it."
The exhibition, which is free for the public, runs until December 20.
"I would be surprised if anybody bought it, but at the same time, it's kind of nice, come and see it, see what you think," he said.
"If you've got a million pounds plus VAT, you could invest wisely."
G.Schulte--BTB