-
Italy's Paris claims first win of season in World Cup downhill finale
-
In Finland, divers learn to explore icy polar waters
-
Dortmund extend injured captain Can's contract
-
Iranians mark Eid as Trump mulls winding down war
-
Matisse's last years cut out -- but not pasted -- at Paris expo
-
BTS fans take over central Seoul for K-pop kings' comeback
-
Star jockey McDonald becomes horse racing's most prolific Group 1 winner
-
Israel strikes Tehran, Beirut as Trump mulls 'winding down' war
-
Pistons top Warriors to clinch NBA playoff berth
-
Tickets to toothbrushes: BTS's money-making machine
-
Top-ranked Alcaraz, Sabalenka win Miami openers
-
After Cuba beckons, Miami entrepreneurs are mostly reluctant to invest in the island
-
Peru's crowded presidential race zeroes in on organized crime
-
Taiwan's Lin to compete in first international event since Paris gender row
-
BTS takes over central Seoul for comeback concert
-
Jury signals tech titans on hook for social media addiction
-
Brumbies mark Slipper record in thriller against Chiefs
-
US jury finds Elon Musk misled Twitter shareholders
-
Gauff rallies to avance at Miami Open
-
WNBA, players union confirm agreement on 'groundbreaking' labor deal
-
Carrick 'baffled' by inconsistent penalty calls as Man Utd held
-
Trump says considering 'winding down' Iran war but rules out ceasefire
-
Trump mulls 'winding down' Iran war
-
Man Utd held by Bournemouth after Maguire sees red
-
Lens go top of Ligue 1 with handsome Angers win
-
Leipzig pummel Hoffenheim to climb to third
-
Quinn ousts 11th seed Ruud at rain-hit Miami Open
-
Rap group Kneecap says crisis-hit Cuba being 'strangled'
-
Anthony, Jackson nail US double at world indoors
-
Zarco seizes his moment as rain disrupts Brazil MotoGP practice
-
Chuck Norris, roundhouse-kicking action star, dead at 86
-
US newcomer Anthony crowned world indoor sprint king
-
Trump rules out Iran truce as more Marines head to Middle East
-
Costa Rican ex-security minister extradited to US for drug trafficking
-
Trump slams NATO 'cowards' as more Marines head to Middle East
-
Gulf's decades-long strategy of sporting investment rocked by Mideast war
-
Souped-up VPNs play 'cat and mouse' game with Iran censors
-
Attacked Russian tanker drifting toward Libya: Italian authorities
-
Coroner 'not satisfied' boxer Hatton intended to take own life
-
Stocks drop, as oil rises as Mideast war persists
-
Vanishing glacier on Germany's highest peak prompts ski lift demolition
-
Chuck Norris, roundhouse-kicking action star, dead at 86: family
-
Supreme leader says Iran dealt enemies 'dizzying blow'
-
Audi team principal Wheatley in shock exit after two races
-
Spurs boss Tudor hopes for 'nice surprises' in relegation fight
-
Arsenal must prove they are winners in League Cup final, says Arteta
-
Record-breaking heat wave grips western US
-
Liverpool showdown brings back 'beautiful memories' for PSG coach Luis Enrique
-
IRA bomb victims drop civil court claim against Gerry Adams
-
Ntamack returns for Toulouse to face France rival Jalibert
Games music composer with ambition to define an artform
Far from the bleep-driven video game soundtracks of yesteryear, French composer Olivier Deriviere is determined to help craft the audio sensation of a medium he believes is still finding a voice of its own.
Deriviere's twin passions for music and gaming have driven a career creating music for massive-selling games including Ubisoft's "Assassin's Creed", sometimes managing projects equal in scope to a film soundtrack.
"I think we need to get away from the reflex that we need to look at our 'big brother' cinema and say that we're going to do the same thing," Deriviere told AFP.
"If you compare what video games offer in artistic terms, it's vast compared to the cinema or theatre," he adds.
Deriviere's personal journey with games began very early in life.
"I've never left the house without a console since I was six years old," the 46-year-old says.
That passion has borne him up to creating music for one instalment in the massively popular "Assassin's Creed" series, or million-selling "A Plague Tale: Innocence", released by Asobo in 2019.
But his current project, "South of Midnight" by Canadian developer Compulsion Games is "my biggest creation yet," Deriviere says.
The tracks he plays back borrow their sound from the American South setting of the adventure game, set for release on April 8.
More than 100 recording sessions have gone into the work, split between Nashville in the US, London's legendary Abbey Road studios and the composer's own workspace in the Paris suburbs.
- 'Set off a revolution' -
Deriviere enjoyed "a musical childhood" growing up in Nice with his businessman father and choir-leader mother.
"When I was five years old, I was getting into U2 and Pink Floyd thanks to my dad, while my friends were listening to French songs," he remembered.
It was at the same time that he was first exposed to video games.
"The day someone first showed me a Commodore 64 moving a pixel around, it set off a revolution in my brain," Deriviere said.
He went as far as learning to code so that he could write music on the machine.
Deriviere struggled to find his niche, making false starts into several music and computing courses before securing a scholarship to the Berklee College of Music across the Atlantic in Boston.
A regular at the city's Symphonic Orchestra, he struck up a friendship with John Williams, writer of soundtracks to many Steven Spielberg movies and the "Star Wars" saga.
Deriviere says that the film legend became an "example" for him, teaching him to be patient.
Back in France, his first work on a game came with 2004's "Obscure", developed by a small studio.
Since then, he has worked on around 20 releases including the mega-blockbuster "Assassin's Creed" series.
"I got started in a tiny little room. A computer, two speakers and that was it," he remembered with a smile.
Now in demand from international developers, he employs six people in his 300-square-metre (3,200 square feet) studio).
- No substitute -
Percussion fan Deriviere clutches a pair of drumsticks as he wanders from the recording booths to the editing suites to keep up with multiple projects, some of which are still under wraps.
But in his spare minutes, he allows himself a few rounds of tennis game "Top Spin" in a room stuffed with consoles going back decades.
"I've always played, I've never stopped," the composer says.
For Deriviere, creating a piece of music has two stages: first writing a score, but then integrating it into the game to reflect the player's input.
The second task would normally be tackled by a game's music designer, rather than the composer.
But "I do both", Deriviere said. "Since I play video games, I understand this language and that's an advantage."
In "South of Midnight", Deriviere is attentive to the actions of protagonist Hazel, accompanied by a choir of girls' voices, as well as developing the tracks connected with the vast creatures that inhabit the game's universe.
He isn't a one-trick pony, having composed the music for 2023 horror movie "The Deep Dark" and for an episode of TV series "Star Wars: Visions", in another tie back to mentor Williams.
But linear film-making can't keep him away from the "unique experience" of games for long.
"It's up to us to bring new experiences to players," Deriviere said.
M.Ouellet--BTB