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नूशा ऑबेल: क्या वह पॉट्सडैम की समस्याओं से निपटने के लिए तैयार हैं?
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努莎·奧貝爾:她能否應對波茨坦面臨的問題?
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누샤 오벨: 그녀가 포츠담의 문제들을 해결할 수 있을까?
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ヌーシャ・オーベル:彼女はポツダムの抱える問題に対処できるのか?
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Нооша Аубель: Сможет ли она справиться с проблемами Потсдама?
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Noosha Aubel: Is she up to the task of tackling Potsdam’s problems?
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Pakistan team reaches base camp with body of renowned climber killed in avalanche
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Salah arrives in Turkey for Trabzonspor talks
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Ceuta warns of 'unsustainable' situation for child migrants after influx
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Embattled FIFA chief Infantino holds emergency talks with directors
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SpaceX rocket stage believed to have slammed into Moon
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Russian barrage on Kyiv kills 17 as Ukraine fails to down single missile
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India monsoon floods, landslides kill more than 100 since July: officials
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'Lost': Migrants despair after Britain expels them back to France
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South Korea pro baseball league cancels games over heatwave
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Cathay Pacific's profit soars 71% despite Iran war driving up fuel costs
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Taiwan probes 17 China-funded firms over high-tech talent poaching
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Russian barrage on Ukraine kills 15, wounds dozens more
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Trump warns Iran to open Hormuz or get 'hit very hard'
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South Korea police raid Starbucks HQ over 'Tank Day' fiasco
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Factories shed workers in Bangladesh garment sector
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Tech back in fashion as Asian markets extend rebound
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North Korea warns of 'military options' over Japan rearmament
From Blade Runner to Gladiator: five Ridley Scott epics
Aliens, gladiators, women on the run, and now Napoleon -- Ridley Scott is a master of the modern screen epic.
- 'Alien' (1979) -
Ridley Scott's sci-fi horror was led by the tough-as-nails Sigourney Weaver playing Ellen Ripley who battles a terrifying break-out of aliens aboard a spaceship.
One famed scene, in which an alien bursts from the chest of a crew member played by John Hurt, has since become movie legend.
The space epic won an Oscar for best sound effects and inspired a string of sequels by star directors including James Cameron and David Fincher.
- 'Blade Runner' (1982) -
Scott's visually arresting adaptation of a Philip K. Dick novel drew mixed reviews at the time, the New York Times calling it "muddled yet mesmerising", but over time it became a global cult classic.
"I've seen things you people wouldn't believe," says an android, played by Rutger Hauer, the rain pelting down on his peroxide-blonde hair. "All those moments will be lost in time, like tears in rain. Time to die."
The speech concluded Scott's two-hour classic set in a dystopian Los Angeles pitting man versus machine, with the human played by Harrison Ford.
- 'Thelma & Louise' (1991) -
A washed-out Ford Thunderbird became a symbol of feminist rebellion in Scott's saga about two women on the run through the United States after murdering a rapist.
With the authorities in hot pursuit, the increasingly desperate pair fall prey to a handsome drifter (Brad Pitt in his breakout role) who steals all their savings.
In the memorable final scene the police catch up with the Ford but the two heroines, in a last act of resistance, drive their car off a cliff.
Multi-Oscar nominated, including for its lead actresses, the screenplay won a statuette while Scott missed out on his first of three best director nominations.
- 'Gladiator' (2000) -
After space and future dystopia, Scott went right back to the Romans for this battle epic about a vengeful slave rising up against his emperor.
The blockbuster stunned audiences with its recreations of combat in the Colosseum in Rome, and a few years after its release the New York Times noted a "Gladiator Effect" -- an uptick in books about ancient Rome since the film.
It was a hit at box offices worldwide and scooped best picture at the Oscars, which also crowned Russell Crowe best actor.
- 'Black Hawk Down' (2001) -
Scott next turned his camera to the reconstruction of the 1993 gunning down of two US Black Hawk helicopters in Somalia's capital Mogadishu during an ill-fated operation to capture a violent warlord.
It sparked a chaotic rescue operation that resulted in hundreds of deaths, including 18 American servicemen and many Somali civilians.
Veteran British critic Philip French in The Observer called Scott's military drama "one of the most convincing, realistic combat movies I've ever seen."
The film won Oscars for best sound and editing and was also nominated for best picture and another best director nod, making it thrice unlucky for Scott.
E.Schubert--BTB