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Sengun shines as Rockets rally to beat NBA champion Thunder
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Matsuyama grabs PGA Phoenix Open lead with Hisatsune one back
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Washington Post CEO out after sweeping job cuts
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Haiti's transitional council hands power to PM
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N. Korea to hold party congress in February, first since 2021
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Thailand votes after three leaders in two years
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Swiss joy as Von Allmen wins first gold of Winter Olympics
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George backs England to 'kick on' after Six Nations rout of Wales
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Malinin upstaged as Japan keep pressure on USA in skating team event
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Japan's Kimura soars to Olympic gold in snowboard big air final
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Vail's golden comets Vonn and Shiffrin inspire those who follow
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Veteran French politician loses culture post over Epstein links
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Japan's Kimura wins Olympic snowboard big air gold
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Arteta backs confident Gyokeres to hit 'highest level'
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Hojlund the hero as Napoli snatch late win at Genoa
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England's Arundell 'frustrated' despite hat-trick in Wales romp
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Lollobrigida skates to first Italian gold of Winter Olympics on her birthday
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Arundell hat-trick inspires England thrashing of Wales in Six Nations opener
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Chile's climate summit chief to lead plastic pollution treaty talks
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French ex-minister offers resignation from Paris cultural hub over Epstein links
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Lollobrigida skates to first Italian gold of Milan-Cortina Games
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Barca beat Mallorca to extend Liga lead
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Late Guirassy winner for Dortmund trims Bayern's lead atop Bundesliga
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Six Nations misery for Townsend as Italy beat sorry Scotland
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Norway's Ruud tops Olympic men's freeski slopestyle qualifying
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Mad Max, Meryl and #MeToo in strong day for women at Cannes
A blood-splattered "Mad Max" heroine, a Meryl Streep masterclass, a #MeToo figurehead -- the Cannes Film Festival showed the progress women have made in cinema on its first full day on Wednesday.
The festival was bracing for the world premiere of "Furiosa", the latest instalment of the post-apocalyptic "Mad Max" franchise, with Anya Taylor-Joy in the no-holds-barred title role playing alongside "Thor" star Chris Hemsworth.
While "Furiosa" plays out-of-competition, the race for festival's top prize, the Palme d'Or, also gets underway on Wednesday with two films that put women's stories centre-stage.
They are being judged by a jury led by Greta Gerwig, the first woman to direct a $1 billion movie with "Barbie".
First up are "The Girl with the Needle", billed as the story of a Danish woman who set up an underground adoption agency after World War I, and "Wild Diamond" about a French teenager seeking fame on a reality TV show, from first-time director Agathe Riedinger.
- Streep masterclass -
One of the most iconic women in cinema, Meryl Streep, will also be delivering a masterclass a day after receiving an honorary Palme d'Or at the opening ceremony.
"I'm just so grateful that you haven't gotten sick of my face," Streep, 74, joked as she received the award from French actor Juliette Binoche.
And there is a screening of a short film about sexual violence, "Moi Aussi" ("Me Too"), by French actor Judith Godreche.
She has become a leading figure in France's #MeToo movement after accusing two directors of assaulting her when she was a teenager in the 1980s -- even appearing before the French Senate this year to call for greater protections on film sets.
It comes amid a wave of new allegations in France, most notably against veteran actor Gerard Depardieu, and persistent rumours that more big names will face accusations.
Godreche told AFP she has a nuanced view of the #MeToo movement.
"There is growing awareness, but sometimes things are announced in a way that feels too staged. It's not very spectacular being abused, it's not very funny, it's not very theatrical," she said.
- Gerwig hopeful -
The host of the opening ceremony, Camille Cottin, star of hit series "Call My Agent!" and an outspoken feminist, also took digs at the "biggest bad guy of all time: the patriarchy".
"The late-night work meetings in hotel rooms of all-powerful gentlemen are no longer part of the Cannes vortex," she said in her welcome address.
Gerwig, meanwhile, struck an optimistic note.
"Every year I cheer when there are more and more women being represented," she told reporters on Tuesday.
"Fifteen years ago, I couldn't have imagined the number of women represented not only at international festivals but in distribution and board conversations, and so I'm hopeful that it's just continuing."
Still to come at the 77th edition of the festival is the hotly anticipated return of "The Godfather" director Francis Ford Coppola with his decades-in-the-making epic, "Megalopolis", on Thursday.
Also in the running for the top prize is a Donald Trump biopic, "The Apprentice", and new films from arthouse favourites David Cronenberg ("The Shrouds"), Italy's Paolo Sorrentino ("Parthenope"), as well as "Emilia Perez", an unlikely-sounding musical about a Mexican cartel boss having a sex change from French Palme d'Or-winner Jacques Audiard.
F.Müller--BTB