-
Swiss vote on what it means to be neutral
-
UK Labour party meets buoyed by Burnham but eager for concrete plans
-
Pope to meet with victims of clerical sex abuse during France trip
-
Thousands protest ahead of Mexican president's report on missing students
-
Iran stands firm on Hormuz plan after US rejection
-
Bangkok floods force thousands into shelters
-
Madrid protest camp grows after eviction outrage
-
AI startup urges optimism from Europe despite safety fears
-
Italy winemakers hail bumper harvest but cut output
-
'Godlike, invincible': Japan hails 11-year-old Games history-maker
-
Kyiv shoppers feel the pinch from Russian strikes
-
Nepal's hydropower ambitions face climate reality check
-
Japanese anime actor fights TikTok over AI voice cloning
-
Power cuts, rubble: millions come home to find Sudan's capital unlivable
-
Curtain falls on the romance of India's single-screen cinemas
-
Internationals keep Presidents Cup lead with late fightbacks
-
Smells like teen spirit as US thrash Peru 4-1
-
Tuchel to 'keep pushing' England to reach Spain's level
-
Cavy chaos: Hundreds attend New Zealand's biggest guinea pig show
-
Alcaraz saves match points to keep Europe ahead in Laver Cup
-
Venezuela releases more political prisoners after opposition talks
-
Spain success driven by hunger to improve, says De La Fuente
-
England's best 'for a long time' despite Spain defeat, says Kane
-
Lyon collapse at Stade Francais to suffer first Top 14 loss
-
Powerful storm pummels northeast US with rain, high winds
-
Oyarzabal and Spain sink England again as Modric shines for Croatia
-
Filmmaker Mike Leigh wins top prize at Spain festival with 'last film'
-
Housing protesters camp in central Madrid after mass demonstration
-
Spain beat England in Nations League to extend unbeaten run
-
Louise Trotter expands her palette at Bottega Veneta
-
Ireland squad vote to play Israel tie despite Gaza unease
-
Pope prays at Lourdes after huge Paris mass
-
Gutsy Vollering wins cycling road race world title
-
USA trims International lead after Presidents Cup four-balls
-
Vollering wins cycling road race world title
-
Russia accuses Europe of blocking Ukraine talks, as strikes drag on
-
Man City's meteoric rise clouded by dark shadow
-
'He said hello': Families pray with pope on Paris avenue
-
Mbappe out for two weeks or more with knee injury say Real
-
Pope celebrates giant Paris mass, flies to Lourdes
-
Lyon collapse away to Stade and suffer first Top 14 loss
-
Thousands march in Madrid over eviction of 87-year-old woman
-
Russia accuses Europe of seeking to thwart Ukraine talks
-
England women back to winning ways with last-gasp defeat of New Zealand
-
Man City chairman defiant over reported Premier League charges
-
Trump rejects Iran proposal for deal to reopen Hormuz
-
Germany ready to 'walk through fire' for Klopp, says Tah
-
England's Cox says injured Buttler leaves 'big shoes to fill'
-
At least 16 killed in Russian and Ukrainian strikes
-
Ruthless Perpignan upset sloppy Bordeaux-Begles
Ukraine's reopening cinemas offer refuge from reality -- and air raids
From the Hollywood blockbuster to the high-brow film noir, the silver screen offers a few hours' peace in a darkened refuge from the mundane grind of the nine to five.
But Ukraine's filmgoers have begun seeking literal shelter in subterranean screenings offering protection from the ever-present threat of missiles from above.
After Russia's invasion in February shuttered picture houses nationwide and production ground to a halt, the country's resilient film industry is making a tentative comeback.
KINO42, in downtown Kyiv, is among around 20 of the city's 50 or so cinemas that have reopened in recent weeks. As the capital's only underground cinema, it is a unique offering for movie buffs wary of air raids.
The screen -- which has 42 seats around four metres (13 feet) below street level -- reopened in June, its program of upcoming screenings displayed on a backlit board above the newly added words "cinema shelter".
"It's a literal cinema shelter since it's located in a basement," Ilko Gladshtein, a partner in the business, told AFP at the recent launch of its program of Ukrainian classics.
The theatre, which first opened in 2019, has always been underground -- but while this was once an unremarkable aspect of its architecture, Gladshtein says it has become a "unique selling point".
"KINO42 is the safest cinema in Kyiv right now. We don't interrupt screenings during air raids," he told AFP.
- Sold out -
The 37-year-old film festival manager and movie producer has been surprised by the size of the evening audiences, although the schedule has been bumped forward to accommodate an 11:00 pm wartime curfew.
"June is a tough month for film distribution, but I can see that people are hungry for films. We've held three charity screenings and sent around $1,000 to the Ukrainian army," he said.
"It gives us the confidence to know not only that we are entertaining people, but also that we are doing something important for the troops on the front."
Unlike multiplexes that screen the big Hollywood releases of the day, KINO42 has always prioritised Ukrainian cinema, and preserving the country's cultural identity has become especially important since the invasion.
The venue has teamed up with the Dovzhenko Centre, the nation's biggest film archive, and has expanded from one weekly screening to three, all sold out.
At a launch event on Thursday last week KINO42 put on "Odd, Bizarre and Fantastic," a series of animated shorts from the 1980s and '90s, with tickets all snapped up three days before the screening.
Stanislav Bitiutskiy, a 38-year-old researcher at the Dovzhenko Centre, says every social or political cataclysm forces a nationwide reckoning over Ukrainian identity.
"It first happened during the Maidan revolution," he told AFP, describing the aftermath of the deadly 2014 clashes between protesters and security forces that led to the overthrow of President Viktor Yanukovych.
"Now, once again, we need to redefine our identity by means of art."
- 'Another reality' -
A little further down the street, the much larger above-ground Zhovten picture house -- which is nearly a century old -- was among the first of Kyiv's reopened venues.
The multi-screen playhouse sold out a 400-seat auditorium on the launch night of its Ukrainian classics program with a showing of Sergey Paradzhanov's 1965 opus, "Shadows of Forgotten Ancestors."
"We wanted to support the country's economy as well as people's psychological wellbeing," said its director Yulia Antypova, 46.
"Psychologists say that this kind of mental decompression, and the opportunity to escape to another reality, are extremely important."
Here, the possibility of missile strikes is a constant threat.
Zhovten interrupts screenings for 20 minutes when the sirens begin and asks audiences to get to a nearby shelter.
If the alert lasts longer, the screening is cancelled and the customers are asked to come back with their tickets another day.
The return to the silver screen has been gradual, with ticket sales about 30 percent of pre-war figures.
Attendance drops every time a Russian missile slams into a civilian area.
"The human psyche is quite resilient though," says Antypova. "In a few days, attendance recovers -- until the next strike."
F.Müller--BTB