-
ZXMoto leads China's charge to dominate the global motorbike market
-
Iran issues demands for reopening of Hormuz
-
Top-ranked Sabalenka, Pegula stunned in Toronto fourth round
-
Afghanistan's gold rush upends lives and landscapes
-
Japan nuclear debate unnerves proponents of pacifism
-
Messi missing after father's death as Miami lose in Leagues Cup
-
Spanish teen Jodar ousts eighth seed Lehecka at Montreal
-
World number one Sabalenka ousted in Toronto by Alexandrova
-
Angers mounts in US over vast network of car license plate cams
-
Olympic weightlifter hoists debris for Venezuela earthquake recovery
-
Darderi to face Nakashima in Montreal quarter-finals
-
FIFA condemns 'concerted and ongoing effort' to weaken Infantino
-
Espresso power fires Darderi past Borges in Montreal
-
South Africa win after surviving late Argentina surge
-
Shnaider upsets Pegula to book Toronto quarter-final with Swiatek
-
Man Utd boss Carrick being 'careful' with Mount as Man Utd draw with PSG
-
Mount injury overshadows Man Utd draw with Paris Saint-Germain
-
All Black Tuipulotu surprised after Sharks include Nonu
-
Ukraine denies targeting Bulgaria as drone explodes near pipeline
-
Infantino denies allegations of affair, favouritism while at UEFA: report
-
Vollering grabs Tour de France lead in Nice
-
MotoGP leader Martin soars to victory in British GP sprint race
-
Euros to showcase new TV guidelines on non-sexualisation of women athletes
-
Mosimane set to succeed Broos as South Africa coach
-
'Calm' Kiss savours first win as Wallabies boss
-
Drone enters Bulgaria, explodes near pipeline at Romanian border
-
Duplantis bids for fourth European title as stars align in Birmingham
-
Paris orders e-scooter users to wear helmets, reflective gear
-
Ukraine warns of tough winter as Russia strikes kill 4 in Kyiv region
-
Lionel Messi's father Jorge dies aged 68
-
Recovering Marchand to skip medleys at European swim champs
-
Johnson reveals 'stress' of Grand Slam Track collapse, clarifies payment
-
MotoGP leader Martin speeds to British Grand Prix pole
-
Defending champion Ferrand-Prevot out of Tour de France Femmes
-
Drone enters Bulgaria, explodes near pipeline at Romanian border: Bulgarian PM
-
Wallabies squeeze past Japan to give Kiss a winning start
-
Arsenal sign Brazil midfielder Guimaraes from Newcastle
-
Kyiv mourns recovery volunteer, whose life 'intertwined with the fallen'
-
Atletico will not sell Alvarez, says Simeone
-
Only two vehicles earn perfect child-seat scores for 2026
-
Ford Fathom turns affordable electric pickup into reality
-
Chinese car brands reshape Australia’s automotive market
-
Lise Klaveness, the Norwegian thorn in Infantino's side
-
Electric cars enter their most decisive generation yet
-
Europe’s electric car boom exposes a widening market divide
-
Three Chinese carmakers enter the global automotive top 10
-
US Senate confirms Trump's ex lawyer as attorney general
-
Ukraine's Zelensky visits Russian ally Serbia as Moscow pounds Kyiv
-
Tibet conference in Nepal pushed online
-
Ukraine's Zelensky visits Russian ally Serbia for talks
Say cheese! 'Wallace & Gromit' expo puts kids into motion
A new London exhibition is aiming to inspire children to follow in the footsteps of the creators of "Wallace and Gromit" and their beloved animated world.
The British capital's biggest children's museum is giving a behind-the-scenes look at Aardman, the studio that created the popular stop-motion favourites, Shaun the Sheep and others.
Opening Thursday at the Young V&A museum in east London, "Inside Aardman: Wallace & Gromit and Friends" uses interactive and colourful displays to explore how the British studio's iconic clay characters are brought to life.
Timed to coincide with the 50th anniversary of Aardman's first production and showcasing over 150 objects -- including models, sets, and storyboards from the studio's archives -- the exhibition took nearly two years to prepare, said chief curator Alex Newson.
"It's really celebrating... how those characters have survived the test of time, and if anything, are more loved today than they were when they kind of first came out," Newson told AFP.
"We really also wanted to show the process behind how they are made," said the curator, including how the creators came up with characters like the hapless, cheese-loving inventor Wallace and his floppy-eared dog Gromit.
"But more than that, we wanted to use those... to inspire children to become kind of the next animators and the animators of the future."
Despite the rise of children's exposure to screen time, Newson believes "people want to make things by hand still".
"I know that in today's increasingly digital world, it's easy to create something without having to do anything. But there is a real thirst to make things, and there's also a real thirst to see things that have been made by people."
Aardman, based in Bristol in southwest England, uses the word "thumbiness" to describe how viewers can almost see the fingerprints of the people who make the puppets and scenes.
"You can understand that this was a handmade thing, and there was love, sweat and tears that have gone into the creation of it," said Newson.
- 'Beast of Mossy Bottom' -
To mark its half-century, Aardman will release a new movie later this year: "Shaun the Sheep: The Beast of Mossy Bottom".
Schoolchildren previewing the exhibition, which runs to November 15, enjoyed the interactive displays, which included a praxinoscope -- an animation device -- and character design stations.
They also saw lighting experiments on a film set from "Wallace & Gromit: Vengeance Most Fowl", the process behind stop-motion video creation, and how animators make sound effects.
"It's very fun," said Zahre, aged eight, whose favourite character is Gromit.
Founded in 1972, Aardman began with friends Peter Lord and David Sproxton making animations together on their kitchen table while they were still at school.
The studio went on to become one of the UK's largest animation production companies, producing hits including "Chicken Run", "Shaun the Sheep", and "Wallace & Gromit: The Curse of the Were-Rabbit", which won the 2006 Oscar for Best Animated Feature.
C.Kovalenko--BTB