-
England captain Stokes '100 percent to bowl' on return to cricket
-
Russia scolds ally Armenia for hosting Zelensky
-
France's far-right leaders court Israel, Germany envoys ahead of vote
-
Latest evacuee from hantavirus-hit cruise lands in Europe
-
Rubio meets US pope in bid to ease tensions
-
Women linked to IS fighters return to Australia from Middle East
-
Shell profit jumps as Mideast war fuels oil prices
-
Oil sinks, Tokyo leads Asia stock surge on growing Mideast peace hopes
-
India vows to crush terror 'ecosystem', a year after Pakistan conflict
-
Circus tackles jihadist nightmares of Burkina Faso's children
-
Iran denies ship attack as Trump warns of renewed bombing, eyes deal
-
Badminton looks to future with 'evolution and innovation'
-
Troubled waters: Jakarta battles deadly, invasive suckerfish
-
Senegal's children mourn in silence when migrant parents disappear
-
EU weighs options as summer jet fuel threat looms
-
Spurs thrash Timberwolves as Knicks edge Sixers in NBA playoffs
-
Australia to force gas giants to reserve fuel for domestic use
-
AirAsia signs $19bn deal for 150 Airbus A220 jets
-
Japan fires missiles during drills, drawing China rebuke
-
Toluca rout Son's LAFC to set up all-Mexican CONCACAF final
-
Vingegaard begins bid for Giro-Tour double with Pellizzari boosting home hopes
-
Roma's Champions League return back on as Milan, Juve wobble
-
Tokyo leads Asia stock surge on growing Mideast peace hopes
-
Australia cricket great Warner to 'accept' drink-drive charge: lawyer
-
Brunson steers Knicks to 2-0 lead with tight win over Sixers
-
Rubio seeks to ease tensions with US pope
-
AI disinfo tests South Korean laws ahead of local elections
-
Australian state overturns Melbourne ban on World Cup watch party
-
Colombian ex-fisherman swaps trade for saving Caribbean coral
-
Lobito Corridor: Africa's mega-project facing delivery test
-
Africa's Lobito Corridor chief tells AFP business, not geopolitics, drives strategy
-
Trump to host Lula in test of fitful relationship
-
K-pop stars BTS draw 50,000-strong crowd in Mexico
-
Britons set to punish Starmer's Labour in local polls
-
Wars in Middle East, backyard loom over ASEAN summit
-
US court releases purported Epstein suicide note
-
Israeli court rejects flotilla activists' appeal challenging detention
-
Polaris Renewable Energy Announces Q1 2026 Results
-
How to Clear the Strait of Hormuz from the Air: UMag Solutions Launches F1Mag(R) - an Unmanned Solution for Rapid Naval Mine Detection and Anti-Submarine Warfare
-
Victim's lawyer alleges Boeing was 'negligent' in 2019 Ethiopian crash
-
Williamson named in New Zealand squad for Ireland, England Tests
-
PSG add muscle to magic as another Champions League final beckons
-
Tigers' pitcher Valdez suspended for hitting opponent
-
Trump says Iran deal 'very possible' but threatens strikes if talks fail
-
Musk's SpaceX strikes data center deal with Anthropic
-
Bayern lament lack of 'killer' instinct after PSG elimination
-
Virus-hit cruise ship heads for Spain as evacuees land in Europe
-
Holders PSG edge Bayern Munich to reach Champions League final
-
Russia warns diplomats in Kyiv to evacuate in case of strike
-
Hantavirus ship passenger: 'They didn't take it seriously enough'
Italy's horror king seeks 'meaning' in schlock
Call girls in jeopardy, a serial killer on the loose, fountains of blood -- horror master Dario Argento has returned to filmmaking after a 10-year hiatus, saying Friday it's been his mission to bring "meaning" to schlock.
The Italian director who inspired generations of filmmakers including Quentin Tarantino premiered his latest thriller "Dark Glasses" co-starring his daughter Asia at the Berlin film festival.
Argento, 81, is known for dozens of gore-spattered flicks including 1977's legendary "Suspiria" about witches, dance and psychoanalysis in Cold War West Berlin.
The new movie, Argento's first since 2012's "Dracula 3D", tells the story of sex worker Diana who serves her sad sack clients in Rome with dignity and respect.
But when one arrives at her home stinking of the dogs he trains for a living, she sends him away to shower first -- a "humiliation" that enrages him.
Meanwhile a murderer is targeting prostitutes and Diana finds herself followed in her car by a speeding white van that runs her off the road.
The crash leaves her blind and a Chinese couple is fatally injured in the pile-up, while their young son Chin is in the back seat.
Diana is placed in the care of an advisor to the blind (Asia Argento) who provides her with a female seeing-eye dog, German shepherd Nerea, to guide and protect her.
Chin, now in a Catholic care home, runs away from the nuns and winds up on Diana's doorstep.
- 'The police do nothing' -
Diana, Chin and Nerea soon come under siege by the killer who wants to finish the job. They seek help from the ineffectual police but realise only they can save themselves.
Argento said many horror pictures by his imitators lacked "meaning" and that he was interested in a story of a woman who seeks her own justice when the authorities let her down.
Asked if he had been inspired by the #MeToo movement his daughter Asia helped spark, he said the film and her story were unrelated.
"This is nothing new," he told AFP.
"This has always happened -– women experience violence and go to the police and the police do nothing. It has nothing to do with #MeToo."
Asia Argento's revelations five years ago that she had been raped by the US producer Harvey Weinstein in 1997 at the age of 21 helped trigger the campaign by assault survivors.
An actress and director, Asia Argento's earliest screen appearances included roles in many of her father's productions.
Her autobiography last year depicted a wild but painful childhood in Rome, trapped with a neglectful father and violent mother.
The 46-year-old told reporters at the festival she was pleased to be back in front of her father's camera.
"Years have passed since our last movie so I could mature," she said.
"This is an Argento movie. Nobody can do an Argento movie like an Argento -- it is his fantasy world, his dream, his nightmares."
Although proud of his impact on global cinema, the director admitted he hadn't cared for the 2018 remake of "Suspiria" by Oscar-winning filmmaker Luca Guadagnino starring Dakota Johnson and Tilda Swinton.
"I didn't like 'Suspiria' at all, it was all wrong. The music was disgusting, there was no pathos," he said.
"There's no reason to remake the films -- they were made at that time and that's enough. The only reason would be for the money."
W.Lapointe--BTB