-
US flexes 'new order' trade policy as WTO meet kicks off
-
Germany unveils rescue plan for struggling chemical sector
-
UK PM 'very keen' to curb addictive social media after US ruling
-
South Africa disinvited from G7 in France after US pressure: Pretoria
-
EU moves closer to ban sexualised AI deepfakes
-
France bids farewell to ex-PM Jospin who 'modernised' nation
-
Belarus' Lukashenko gifts automatic rifle to North Korea's Kim
-
Germany bank on team spirit to end World Cup woes
-
Venezuela's Maduro back in US court after stunning capture
-
French court orders ex-bishop to pay over 1970s child sex abuse
-
PSG Ligue 1 game postponed in between two legs of Liverpool Champions League tie
-
Iran may believe it has the upper hand as Trump seeks talks
-
EU urged to broadly restrict 'forever chemicals'
-
Italy seizes millions 'embezzled' from Ursula Andress
-
Trump says Iran 'better get serious' in Mideast war talks
-
Global trading system hit by 'worst disruptions in the past 80 years': WTO chief
-
EU accuses four porn platforms of letting children access adult content
-
Cathay Pacific raises fuel surcharge on all flights by 34%
-
EU probes Snapchat over suspected child protection failings
-
EU parliament backs Trump tariff deal -- with conditions
-
'Return hubs' for migrants clear EU parliament hurdle
-
Meta watchdog says grassroots fact checks risk harm to users
-
G7 meets in France to mend transatlantic rupture on Iran
-
ByteDance quietly rolls out SeeDance 2.0 globally
-
Israel strikes Iran as Tehran rejects US talks overture
-
Mercedes teen ace Antonelli wants more of the same after maiden win
-
Singer Rosalia quits Milan concert with food poisoning
-
Oil climbs and equities sink amid mixed messages on 'talks'
-
'Get out': Verstappen bans reporter from Japan press conference
-
Leaked Nepal report into deadly uprising calls for prosecuting ex-PM
-
Verstappen says last-minute F1 rule tweak will help only 'a tiny bit'
-
Oil rises and equities mixed amid mixed messages on 'talks'
-
EU to vote on Trump tariff deal -- but eyes rest of world
-
Somalia football slowly becomes a women's game
-
Venezuela oil reserves both entice and repel energy giants
-
Hamilton says more committed to F1 than ever at 41
-
China bans runner after mid-marathon splits goes viral
-
Myanmar's rebuild stutters year after deadly quake
-
Murray's 53 points propel Nuggets over Mavs
-
Israel strikes Iran as Trump says Tehran wants deal to end war
-
Wilkinson calls for England to find consistency before World Cup
-
Norris talks up McLaren chances after double China disaster
-
Teen sprint star Gout Gout 'ready to rock and roll' in Melbourne
-
Hezbollah rejects truce talks as Israel presses Lebanon strikes
-
Mideast war fuels disinformation about Taiwan's gas supply
-
Kohli, Suryavanshi to light up IPL as stampede dead remembered
-
Moon race: how China is challenging the US
-
Zimbabwe lithium export ban triggers crackdown, concerns
-
Embiid, George make triumphant NBA returns in Sixers win
-
North Korea's Kim 'warmly' welcomes Belarusian leader
Ballet stars who fled Russia's Ukraine war reunite in US
Joy Womack built herself a fairytale life in Russia's notoriously tough world of classical dance after becoming the first American to graduate from the Bolshoi Ballet Academy.
But a career that inspired a Hollywood film exploded as Moscow's first bombs rained down on Ukraine, and she became one of dozens of dancers who fled Vladimir Putin's war.
"I mourned because it was the end of knowing what was next. And for me, it felt almost in some ways like the end of my career," Womack told AFP in California.
As Russian troops rolled into Ukraine in February, the Texan was in Poland choreographing "Joika."
The film, starring Diane Kruger, tells the story of Womack's life: from arrival in Moscow at the age of 15, not speaking a word of Russian, to a lead role in the Kremlin Ballet.
Womack knew at that moment that she could not return to Russia, and must leave behind her belongings, her friends and the years of sacrifice that had helped her to succeed in one of the world's most competitive ballet environments.
"I was building a future in Russia. I was trying to walk both lines being a ballerina from America, but also working in Russia.
"And my career and my education in Russia led to an international career in the West. So for me, it's really hard to say goodbye to that chapter," she says, pulling off her shoes to reveal feet scarred by her trade.
- 'Fear and sadness' -
Dozens of foreign and domestic dancers had already fled Russia for fear of being called to the frontlines, before Putin ordered a mass mobilization of 300,000 people to bolster his flagging war effort.
But even without a call-up, the drumbeat of conflict was crowding out the cultural spaces, says Ilya Jivoy.
A native of St. Petersburg with a 26-year career, Jivoy left Russia with his Ukrainian wife as war broke out.
They did not know what they would do, or where they would go, but he remains convinced it was the best decision.
"We couldn't work normally since it all started," he says.
"I think now to work in the cultural space in Russia... it may be impossible.
"It's not about the art. It's just about fear and about sadness."
Now exiles in the United States, Womack and Jivoy know they are comparatively lucky because they were able to leave.
Others were not.
"I have a beautiful partner that I used to work with last year," Womack said.
"He was served papers. He's a ballet dancer, not in the army, and it's the end of his career."
- Reunited -
Some exiled dancers have now reunited with one-time colleagues from the Russian stage for a single performance near Los Angeles next month.
The Segerstrom Center for the Arts, a state-of-the-art cultural center in the small town of Costa Mesa, will host "Reunited in Dance."
The one-night-only performance will showcase choreography and recreate some of the repertoire that has wowed Moscow audiences.
The performance's artistic director is Xander Parish, a Briton who lived and worked in Moscow for 12 years, including at the Mariinsky Theater.
Parish, who trained at the Royal Ballet in Britain, recounts the emotional weight of the uprooting these dancers have endured.
"The theater becomes your family. You work with these people, you dance with them, you get to know them very intimately, working in such close proximity. Your coaches are like your parents," he said.
During rehearsals that AFP watched, the camaraderie is evident, as the cast slips in and out of Russian and English, discussing how each minute of the performance should work.
The November 12 show could, Parish thinks, be the springboard for something bigger: a more permanent ballet company that would have space for these talents in exile.
"That's going to take a long time to sort out. But I mean, that'd be my dream, if we can build that in the future," he says.
"These are the first small steps, the foundations, that bring us together."
Y.Bouchard--BTB