-
Latest evacuee from hantavirus-hit cruise lands in Europe
-
Rubio meets US pope in bid to ease tensions
-
Women linked to IS fighters return to Australia from Middle East
-
Shell profit jumps as Mideast war fuels oil prices
-
Oil sinks, Tokyo leads Asia stock surge on growing Mideast peace hopes
-
India vows to crush terror 'ecosystem', a year after Pakistan conflict
-
Circus tackles jihadist nightmares of Burkina Faso's children
-
Iran denies ship attack as Trump warns of renewed bombing, eyes deal
-
Badminton looks to future with 'evolution and innovation'
-
Troubled waters: Jakarta battles deadly, invasive suckerfish
-
Senegal's children mourn in silence when migrant parents disappear
-
EU weighs options as summer jet fuel threat looms
-
Spurs thrash Timberwolves as Knicks edge Sixers in NBA playoffs
-
Australia to force gas giants to reserve fuel for domestic use
-
AirAsia signs $19bn deal for 150 Airbus A220 jets
-
Japan fires missiles during drills, drawing China rebuke
-
Toluca rout Son's LAFC to set up all-Mexican CONCACAF final
-
Vingegaard begins bid for Giro-Tour double with Pellizzari boosting home hopes
-
Roma's Champions League return back on as Milan, Juve wobble
-
Tokyo leads Asia stock surge on growing Mideast peace hopes
-
Australia cricket great Warner to 'accept' drink-drive charge: lawyer
-
Brunson steers Knicks to 2-0 lead with tight win over Sixers
-
Rubio seeks to ease tensions with US pope
-
AI disinfo tests South Korean laws ahead of local elections
-
Australian state overturns Melbourne ban on World Cup watch party
-
Colombian ex-fisherman swaps trade for saving Caribbean coral
-
Lobito Corridor: Africa's mega-project facing delivery test
-
Africa's Lobito Corridor chief tells AFP business, not geopolitics, drives strategy
-
Trump to host Lula in test of fitful relationship
-
K-pop stars BTS draw 50,000-strong crowd in Mexico
-
Britons set to punish Starmer's Labour in local polls
-
Wars in Middle East, backyard loom over ASEAN summit
-
US court releases purported Epstein suicide note
-
Israeli court rejects flotilla activists' appeal challenging detention
-
Victim's lawyer alleges Boeing was 'negligent' in 2019 Ethiopian crash
-
Williamson named in New Zealand squad for Ireland, England Tests
-
PSG add muscle to magic as another Champions League final beckons
-
Tigers' pitcher Valdez suspended for hitting opponent
-
Trump says Iran deal 'very possible' but threatens strikes if talks fail
-
Musk's SpaceX strikes data center deal with Anthropic
-
Bayern lament lack of 'killer' instinct after PSG elimination
-
Virus-hit cruise ship heads for Spain as evacuees land in Europe
-
Holders PSG edge Bayern Munich to reach Champions League final
-
Russia warns diplomats in Kyiv to evacuate in case of strike
-
Hantavirus ship passenger: 'They didn't take it seriously enough'
-
First hantavirus infection could not have been during cruise: WHO expert
-
Kentucky Derby-winner Golden Tempo to skip Preakness Stakes
-
Trump says Iran deal 'very possible', but threatens strikes if not
-
Lula heads to Washington to meet Trump in fraught election year
-
No timeline for injury return for 'frustrated' Doncic
Uruguay's Fede Alvarez returns 'Alien' saga to roots with 'Romulus'
It's back to basics for the "Alien" film franchise: "Alien: Romulus" hits theaters worldwide this week and director Fede Alvarez is hoping to follow in the footsteps of Ridley Scott, who launched the saga in 1979.
In an interview with AFP, Alvarez explained how he was forever marked by the series' early chapters as a kid growing up in Uruguay.
After Scott, James Cameron ("Aliens," 1986), David Fincher ("Alien 3," 1992) and Jean-Pierre Jeunet ("Alien Resurrection," 1997), Disney has entrusted this installment to Alvarez, who is far less known.
Scott rebooted the franchise in the 2010s with "Prometheus" and "Alien: Covenant," and is still one of the producers.
Alvarez, whose previous films include "Evil Dead" and "Don't Breathe" -- deems the first two "Alien" installments as "fundamental" to his work and for cinema in general.
"Romulus"-- which takes place almost entirely within the confines of a drifting spaceship -- is set at the time of the first films, when teams of space travelers discover, in deadly fashion, the existence of xenomorphs, formidable extraterrestrials.
"There's a scene in the 1986 film where we see a bunch of children and young people running around a space station. I thought, 'What is it going to be like for these kids when they grow up?" wonders the director, who is now based in Hollywood.
The film is also meant to bring back the gore and horror of the first film.
Alvarez faithfully reproduces the familiar motifs and scenes, including the emblematic hatching of the parasitic alien in the body of its human host.
The 46-year-old filmmaker also revisits the visual style of Scott, whom he calls "one of the great masters of the genre."
- 'Ambitious film' -
"It's not so much a desire to go back, but simply the fact that as a filmmaker, I want to practice as I learned to do," he explains, particularly his decision to film without "too many green screens" -- a technique allowing visual effects to be added in post-production.
Alvarez immersed himself in the "futurism of the 1980s," with mythical specimens of "Alien" controlled by teams of puppeteers.
"Technically, it's a very ambitious film," he says. "Generating real emotion in people is the most difficult thing there is."
And "when you decide to see this film, you know more or less what you want to expose yourself to. It's like when you go on a roller coaster," he explains, adding: "I like having that effect on people."
In the tradition of "Alien," which starred a young Sigourney Weaver as the hero Ellen Ripley, this film features Cailee Spaeny, who earned a Golden Globe nomination for her portrayal of Elvis Presley's wife in the 2023 biopic "Priscilla."
In "Romulus," she plays an orphan, reduced to the state of quasi-slave on a sunless corner of the planet managed in a "Blade Runner"-style atmosphere by the private conglomerate Weyland-Yutani, which mines a toxic mineral there.
She doesn't hesitate when a group of young rebels suggest that she try to escape to more hospitable skies.
The plan? Seize a spaceship that they think is abandoned, but really is inhabited by xenomorphs who have brutally murdered the crew.
A.Gasser--BTB