-
Far-Right Extremists Claim Opportunity to Seize Control of GOP After Midterms
-
Japanese-Born Professor Attributes Rise in Korea-Japan Marriages to K-Drama Influence and Affectionate Behavior
-
New Campaign Highlights Knowledge Gaps on Carbon Monoxide Safety Among Americans
-
Economist Testifies Canada Has Limited Power to Alter Global Climate
-
JR East Launches 'teppay' to Integrate Suica Balance with Mobile Payments
-
Dublin Band Aslan Headlines Our Lady’s Hospice Light Up A Life Ceremony
-
Phil Spencer on Housing Market Fairness: How Buyers and Sellers Navigate Falling Prices
-
UAE Cabinet Approves Up to Dh350,000 in Disaster Relief for Citizens
-
Beirut Cinema Festival Draws Thousands Despite War Fatigue
-
Korea's Severe Asthma Patients Blocked from Biologics by Restrictive Reimbursement Rules
-
AMD Forecasts First-Ever Revenue Lead Over Intel on AI Chip Surge
-
COP31: Ana Toni Outlines Fossil Fuel Transition Roadmap Ahead of Climate Talks
-
GoodData.AI Launches the Agentic Serving Plane, a New Category of Enterprise Data Infrastructure for AI Agents
-
Securitas Healthcare Introduces a New Era of RTLS Built for the Future of Healthcare Operations
-
Abu Dhabi Demand Response Project Achieves 401 MW Peak Reduction in 2025
-
First-time boat buyers advised to assess full ownership costs
-
Panthers expected to begin 2027 NRL season away from new stadium
Austrian 'enfant terrible' of art Hermann Nitsch dies aged 83
Austrian artist Hermann Nitsch, famous for his paintings and performances using human blood and animal carcasses, has died at age 83, his family said Tuesday.
Nitsch died at a hospital in Lower Austria province on Monday, his niece told AFP.
"Hermann Nitsch died peacefully at the age of 83 after a serious illness," a statement from the family said.
Nitsch was part of the "Actionists", a radical 1960s avant-garde movement known for skinning animal carcasses, tying up human bodies and using blood, mud and urine in their works.
The Austrian enfant terrible was best known for his long-running Orgies Mysteries Theatre, a performance-based show representing slaughters and religious sacrifices.
Nitsch's more recent shows included an exhibition in Sicily, Italy, in 2015, which featured dead animals on crucifixes, and led to animal rights groups to accuse him of blasphemy and inciting violence.
His wife Rita Nitsch told AFP at the time "that this kind of small ruckus is always part of (his work)... But quality has triumphed over the polemic."
Nitsch has two museums devoted to his work in Austria and one in Italy.
Y.Bouchard--BTB